Posted by
emiskina on Saturday, August 01, 2009 5:07:43 PM
an odd, little fashion show held in late June in
Paris in the underground ballroom of the George V Hotel that was both a
comic, costume exercise in futility and an attempt to drag Saudi
religious and cultural sensibilities into the 21
st Century.
Fresh
on the heels of French President Nicholas Sarkozy’s proclaiming that
the enshrouding burqa was “…not welcome…” on the streets of the French
Republic, Dior haute couture designer John Galliano, the French design
houses of Nina Ricci and Jean Claude Jitrois and the Italian labels
Blumarine and Alberta Ferretti valiantly tried to remake the Saudi
Arabian abaya into a playful, more modern version of its black, drab,
overcoat-like self.
The show’s organizer was the general manager of Saks Fifth Avenue in Saudi Arabia, Dania Tarhini. She
was obviously thinking of her wealthier and more worldly-wise clients
when she stated, "I realized that most of the Saudi clients are wearing
designer brands, but they're covered by a black abaya. It is an
obligation to wear the abaya there, but let them feel good about it."
So Tarhini let slip one of those open secrets that
under that abaya and hijab headscarf or abaya and niqab facial veil
with slits for the eyes, upper-crust Saudi women are actually fashion
conscious. The twenty ornamented abayas shown with
matching veils or hoods ranged from $5,500 to $11,500 but were given
away to her favored trend-setting Saudi clients after the show in the
hopes that others would follow their lead and purchase the lower priced
versions at the Saks stores in Riyadh and Jeddah come September 2009.
Something about making a silk purse out of a sow’s ear springs to mind here.
The
reason why the designers mentioned “couldn’t imagine” making “a
designer abaya” is that the abaya represents a static garment
requirement of a static culture and static religion.
Fashion is a Western concept and is all about change, growth and cultural evolution.
It
is a restless and infinitely innovative reconsideration of the human
shape and form as understood by a dynamic culture at a specific point
in time.
While Western fashion borrows from the past, it never recreates it and it doesn’t stay satisfied with itself in the present.
There is always a new, best thing to be had.
By the time the average woman affects a new look, the upper echelons have moved on.
What the designers involved in Ms Tarhini’s show
did understand was the money-making end of the equation and that’s why
they participated. However, if you really want to see what
is happening with Islamic dress, switch gears and take a look at what
is going on in Malaysia at the Ministry of Tourism’s 10th annual
Malaysia Mega Sale Carnival.
Malaysia is pushing “Islamizing clothes” with
pastel outfits suitable for a remake of “I Dream of Genie” but with out
the bare midriffs. In what has an ominous sound to it, the
wife of Malaysian Prime Minister Najib Tun Razak, Rosmah Mansor, said,
“The clothes displayed are suitable for both Muslims and non-Muslims.
Most clothes are inspired by Islamic art with a touch of Malaysian art.
Malaysia is amongst Muslim countries that are keen on preserving their
art and heritage. "
Got that, you non-Muslims? Thanks to multi-culturalism, you’ve been stripped of your heritage and pride but look at what’s waiting to fill in the vacuum! If
you think that burqa will make you look fatwa, just slip into a
Malaysian slubbed silk triple layer get-up in 90 degree weather with
only your face and hands showing or else the morality police in Muslim
“no-go zones” might slap you with 50 lashes for strutting about like a
“Western Doll”.
This brings us full circle back to Sarkozy’s
banning of the hijab in French public venues and his dismissal of the
burqa as unsuitable wear on French streets. Whether Galliano or the other designers at that Saks Fifth Avenue abaya show realize it or not, they’ve been gamed. Western fashion was proving too seductive to the Islamic world so now it is perverting fashion in order to Islamize it. The Malaysians now have the excuse to claim that these Western fashion designers are getting on board the Islamic gravy train.
Emirati designers Rabia Z, is busily sewing hijabs
into tracksuits so that veiling resistance Muslim women can exercise in
their version of gang clothing while Badr al-Budoor claims about the
abaya that, "It is not a tent that covers us all. We can
still look pretty and elegant and sexy - just as covered and as
traditional as we need to be."
Pretty? Only if outer wear dressing a la The Matrix is your ideal Elegant? The whole point of the abaya is to deny the femininity of the wearer. Sexy? In your dreams, Playgirl!